Wednesday, February 25, 2026

Açores – São Miguel (Oeste)


The island of São Miguel (pop 137,255 in 2021) is six to eight miles wide (north-south) but about forty miles long (east-west), almost the same area (287 vs 286 sq mi) as the main island of Madeira (pop 245,595 in 2021), at roughly fifteen miles by thirty. Six years ago, we spent several days exploring Madeira by car; for São Miguel, our Apple Maps is full of pins, and we'll try to do as much as we can in one day, focusing on the volcanic landscapes of the island's west.

First, a quick stop in the Ponta Delgada's (pop 67,229 in 2021) Praça Municipio for breakfast by the Paços de Concelho and the torre do relógio (Câmara Municipal, 1724). Nearby, the bronze statue of the patron São Miguel Arcanjo (Numídico Bessone, 1955) blends with the basalt base. The radial pavement design seems an invitation to wander:
"PADROEIRA DA NOSSA ILHA"
 


Our first stop is on the southern rim of the Caldeira das Sete Cidades. From the Miradouro da Vista do Rei, the 'twin lakes' capture the early morning light – the Lagoa das Sete Cidades. A bridge, the Ponte dos Regos, divides the lake into the Lagoa Azul (to the north) and the Lagoa Verde (south). The two colors derive from a legend of tragic lovers, a princess and a shepherd boy, whose ceaseless tears filled the lakes, the waters matching the colors of their eyes.

We get only a hint of the colors, with the steep, verdant hillsides and the changing light between the layered clouds and the crisp atmosphere. The hydrangeas are dried but would add to the color mix in any other season. As the sun brightens the northern slopes, the folded and scoured walls of the Caldeira come alive. 

 

 


A winding road follows the rim of the Caldeira, connecting a series of viewpoints. We stop at the Miradouro do Cerrado das Freiras. This lines up, longitudinally, with a small peninsula, the Ponta do Lago, which stretches from the southern edge of the Lagoa Azul, near the Ponte dos Regos.

We arrive just as a split in the cloud deck spills a seam of light over the Ponta. Someone is burning brush at the point of the peninsula but reminds us that we are in a volcano. As the shadows recede to the east, the city of Sete Cidades emerges.

The road morphs into a stack of switchbacks as we descend to the bridge. We make a brief stop at the crossing and notice that at lakeside, the colors seem to be mismatched: Azul is greener and Verde is bluer. Perhaps the southern lake, being in shadow, is now reflecting more of the sky; or perhaps it is contrasting the misty green of the forest. From this vantage, the Caldeira imposes its scale.



 

 


The small village of Sete Cidades (pop 701 in 2021) lies at the western shore of the Lagoa Azul. We park near the Igreja de São Nicolau (1849-57), a simple structure with Gothic touches. An alley between leggy evergreens leads through a formal park to the central tower and the main portal. To the left is an area memorializing the apparition of Nossa Senhora de Fátima, the little figures draped with rosaries.

The Crucificação in the main altar is also flanked by Nossa Senhora de Fátima and São Nicolau. The baptismal font is in the chancel, perhaps in preparation for an upcoming ceremony. An elegant cycle of stained glass illustrates the virtues.

 

 

 

From the church, we walk to the 'Margens da Lagoa' and the grassy park set on the point at the village's eastern edge. Along the way, we see the tidy, whitewashed houses and the fenced yards with cows; everything looking clean and fresh.

With the sun nearly overhead, the craggy and worn forms of the Caldeira create a tangled tapestry. We share the level outlook of the Margens with a handful of other visitors and a flock of impressively large but mellow ducks.

 

 

 


 

 


Another public area on the lake's northern edge, the 'Gruta do Pastor', is too far to walk, so we make the short drive. The Gruta park is a 'merendário' (picninc area) with a linear engineering feature (drainage channel and lock) known as the 'Túnel'. But the 'Pastor' refers to the shepherd; somewhere near this park is a cave where the shepherd from the legend lived. The shepherds, the ducks, the local villagers, we all get an amazing view.

In search of lunch, we return to Sete Cidades but cannot find a decent meal in this village during the off-season. We inspect menus at the snack bars, the twenty-euro buffets, and decide to drive on.

 

 

The highest-rated lunch restaurant on the western end of São Miguel is called MôMô (4.8 stars). Distances across the island are short, but the drives up and down the volcanoes add time – still it's not far. The restaurant is in a spa retreat called SENSI and seems a world away from Sete Cidades or even Ponta Delgada.

This oasis inhabits a sloping lawn, at the edge of the ocean, with views of the towering Caldeira. We go from anxious about lunch to blissfully satisfied with one of the best meals on the island – from a land of shepherds to a protected paradise of pamper princesses (that's us).

Sated, we return to our road trip and take the long way back up the mountain …

 

 

 

to the Miradouro da Lomba do Vasco …

 

 

and the Miradouro da Lagoa de Santiago …

 


 

 

… on our way to the Miradouro da Boca do Inferrno.

This Miradouro is at the end of a decent hike, about a half hour, up and down unpaved paths, through some dense forests. Maps also indicates that the direction include a 'Wooden Pathway', which turns out to be a short, stepped trail made with logs; narrow and steep sections also include railings also made from logs.

The hike ends at the top of a promontory with stunning views of the Caldeira and four of its lakes: Lagoa Azul (to the north), Lagoa Verde (west), Lagoa Santiago (nearest the Miradouro), and Lagoa Rasa (south).

 

 

 

 


 

On the way down, we hit a few more viewpoints, including the Miradouro do Pico do Carvão and the Miradouro do Charquinho das Moças. Each is marked with a rocket-shaped water tower or pumping station. They are reminiscent of the moinhos (mills) we saw in Pico.

We take the Caminho do Charquinho, follow the rurals roads back to Ponta Delgada, and enjoy the lumpy landscape of livestock on the conical hills in the light of the late day.

 

 


 

Tuesday, February 24, 2026

Açores – Arriving in Ponta Delgada


The awful weather in Lisboa dribbles into February and March, windy and wet. Because of my residency's expiration, we can't comfortably plan winter trips outside Portugal, but the Açores are a possibility.

This year's trip checks two more islands off the nine -sland list (we visited Faial and Pico in 2024). We begin in São Miguel and the capital, Ponta Delgada (pop 67,229 in 2021). Our mid-afternoon flight gives us some spectacular views of the island's coastal features on approach: the unmistakable shape of the Ilhéu de Vila Franca, the rocky white-capped edges of the Ponta da Galera, and the town of Ponta Delgado – squeezed between the volcanic hills and the curving breakwater of the Marina.

 

 

 

 

We arrive with plenty of time to find parking, unpack, and take a walk along the Avenida Marginal at sunset. Heading east to the Praça de Gonçalo Velho we arrive at the Portas da Cidade (1783) – Ponta Delgada's front door. Here we find a statue of Gonçalo Velho Cabral (José Fragoso, c1955) as well as statue of the island's patron São Miguel Arcanjo (Numídico Bessone, 1955) just off to the west.

There is a smaller square in front of the Paços de Concelho and the torre do relógio (Câmara Municipal, 1724) with beautiful radial calçadas , a reflecting pool and a planter full of small, bright flowers. The pavement is predominantly dark basalt versus white limestone.

The Igreja de São Sebastião (Igreja Matriz, 16th century) stands to the northeast or the Portas, along with its torre sineira. The volcanic masonry continues with the trim of the windows and columns, but the main portal is a lovely Manueline archway.

 

 


 

Similarly, the main altar is series of receding Baroque arches in white but surrounded by dark wood. The interior of the Igreja is other quite simple and sedate, with decorative embellishments in the arcade between the nave and the side aisles. In the north aisle is another figure of São Miguel Arcanjo with his scales of justice.

A stiif breeze splits the clouds, and the moon rises over the torre sineira (top image). With a backdrop of green calderas and the Praça full of colorful blossoms, we hasten the arrival of spring.

 

 

Thursday, February 05, 2026

You Must Needs Be Straingers


This is a monologue from the play "Sir Thomas More" (c1591-93, Act 2Scene 455-123), set during the 'Ill May Day' of 1517, attributed to William Shakespeare, and performed by Sir Ian McKellen. A transcription of the handwritten text follows:
graunt them remoued and graunt that this yor noyce
hath Chidd downe all the matie of Ingland
ymagin that you see the wretched straingers
their babyes at their backs, and their poor lugage
plodding tooth ports and costs for transportacion
and that you sytt as kings in your desyres
aucthoryty quyte sylenct by yor braule
and you in ruff of yor opynions clothd
what had you gott, I'le tell you, you had taught
how insolenc and strong hand shoold prevayle
how ordere shoold be quelld, and by this patterne
not on of you shoold lyve an aged man
for other ruffians as their fancies wrought
with sealf same hand sealf reasons and sealf right
woold shark on you and men lyke ravenous fishes
woold feed on on another

youle put downe straingers
kill them cutt their throts possesse their howses

o desperat as you are.
wash your foule mynds wt teares and those same hands
that you lyke rebells lyft against the peace
lift vp for peace, and your vnreuerent knees
make them your feet to kneele to be forgyven

say nowe the king
as he is clement, yf thoffendor moorne
shoold so much com to short of your great trespas
as but to banysh you, whether woold you go.
what Country by the nature of yor error
shoold gyve you harber go you to ffraunc or flanders
to any Iarman province, spane or portigall
nay any where that not adheres to Ingland
why you must needs be straingers. woold you be pleasd
to find a nation of such barbarous temper
that breaking out in hiddious violence
woold not afoord you, an abode on earth
whett their detested knyves against yor throtes
spurne you lyke doggs, and lyke as yf that god
owed not nor made not you, nor that the elaments
wer not all appropriat to yor Comforts.
but Charterd vnto them, what woold you thinck
to be thus vsd, this is the straingers case
and this your momtanish inhumanyty